The sharps (or flats) must rise and fall in sequence, unless doing so would cause the sharp/flat to go out of the stave.Put the sharp (or flat) in the highest available line (flats) or space (sharps), without going out of the stave.(So in A major, we add the new sharp - G sharp - to the right of the two sharps from D major) Add new sharps (or flats) to the right of previous sharps (or flats).We also need to consider the tenor clef, which along with the alto clef is a type of C clef, and has been covered in detail in The C clefs.Īlthough it is very similar to the alto clef, the different placement of the tenor clef in the stave means that the familiar rules for correct placement of the key signature need examining once again: So far, we have looked at the correct order of sharps or flats in key signatures in the treble clef, bass clef, and alto clef. Why not subscribe now?Īlready have a subscription? Make sure you login first!įor the last guide in our series of key signatures and scales, we look at some new scales with up to 7 sharps and flats, and also at the correct order of sharps/flats in key signatures in the tenor clef. To view the complete study guide, you will need a valid subscription.
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